Journal of Music and Dance
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Article Number - 2AF3FAE53593


Vol.5(4), pp. 16 - 23 , June 2015
DOI: 10.5897/JMD2015.0039
ISSN: 2360-8579



Full Length Research Paper

A synchronic study of semantics in selected Akan choral compositions in Ghana



Emmanuel Obed Acquah
  • Emmanuel Obed Acquah
  • Department of Music Education, University of Education, Winneba, Ghana.
  • Google Scholar
Joshua Alfred Amuah*
  • Joshua Alfred Amuah*
  • Department of Music, School of Performing Arts, University of Ghana, Legon, Ghana.
  • Google Scholar
John Francis Annan
  • John Francis Annan
  • Department of Music Education, University of Education, Winneba, Ghana.
  • Google Scholar
James Tsemafo-Arthur
  • James Tsemafo-Arthur
  • Department of Music, Methodist University College, Dansoman-Accra, Ghana.
  • Google Scholar







 Received: 07 April 2015  Accepted: 02 June 2015  Published: 30 June 2015

Copyright © 2015 Author(s) retain the copyright of this article.
This article is published under the terms of the Creative Commons Attribution License 4.0


In the performance traditions of choral music in Ghanaian community, understanding the text of the music is but one facet of extremely important aspects in performance. Unfortunately, some of the texts of some recent choral music compositions lack linguistic semantic representations. Performers are only mindful of the rhythm, melody and its associated harmony without even if the meaning of the song is not clear to them. Some of these songs lack meaning at the levels of sentential cohesion as well as the larger units of the text juxtaposed with the music. Through linguistic pragmatic theory, the authors attempt to unearth exegetically semantic illusions of five purposively sampled Akan choral music compositions by some Ghanaian composers and analyzed for their sensitivity to linguistic semantics. The paper concludes that linguistic semantics in choral music compositions is very important and deserves conscious and systematic considerations. It could be oblivious on the part of the composers but it is envisaged that the nature of this style of setting text to music is reduced significantly.

Key words: Choral music, linguistic pragmatics, Akan, texts, composition, semantics.

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APA Acquah, E. O., Amuah, J. A., Annan, J. F., Tsemafo-Arthur, J. (2015). A synchronic study of semantics in selected Akan choral compositions in Ghana. Journal of Music and Dance, 5(4), 16 - 23.
Chicago Emmanuel Obed Acquah, Joshua Alfred Amuah, John Francis Annan and James Tsemafo-Arthur. "A synchronic study of semantics in selected Akan choral compositions in Ghana." Journal of Music and Dance 5, no. 4 (2015): 16 - 23.
MLA Emmanuel Obed Acquah, et al. "A synchronic study of semantics in selected Akan choral compositions in Ghana." Journal of Music and Dance 5.4 (2015): 16 - 23.
   
DOI 10.5897/JMD2015.0039
URL http://academicjournals.org/journal/JMD/article-abstract/2AF3FAE53593

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