African Journal of
Business Management

  • Abbreviation: Afr. J. Bus. Manage.
  • Language: English
  • ISSN: 1993-8233
  • DOI: 10.5897/AJBM
  • Start Year: 2007
  • Published Articles: 4203

Full Length Research Paper

Impacts of economic, cultural, social, individual and environmental factors on demands for cinema: Case study of Tehran

A. Rahimi
  • A. Rahimi
  • Department of Cultural Management, Science and Research Branch, Islamic Azad University, Tehran, Iran.
  • Google Scholar
M. Mousai
  • M. Mousai
  • Department of Social Planning, Faculty of Social Sciences, University of Tehran, Tehran, Iran.
  • Google Scholar
N. Azad
  • N. Azad
  • Faculty of Management and Accounting, South Tehran Branch, Islamic Azad University, Tehran, Iran.
  • Google Scholar
S. M. Syedaliakbar
  • S. M. Syedaliakbar
  • Faculty of Industrial Engineering, South Tehran Branch, Islamic Azad University, Tehran, Iran.
  • Google Scholar


  •  Received: 07 May 2013
  •  Accepted: 31 March 2014
  •  Published: 31 July 2014

References

Abdolahian H, Nayebi H (2003). Renewal Conceptualizing of social casting: A critical Review on common social casting criteria. J. Latter Soc. Sci. 29(3):177-190.
 
Agheli L (2009). Study interrelation of cultural and economical transformations by using correlational analysis. National Conference of development and transformation in culture and art, 14(2):11-25.
 
Aitken I (1990). Film and reform: John Grierson and the documentary film movement. Psychology Press.
 
Alibabai Y (2008). Social Casting.1st Edn., Nore Elm Publication, Hamedan.
 
Azma F (2007). Investigating How to increase the willingness of audiences to the cinema. Islamic Ministry of Culture and Guidance. Institute of Culture, Arts and Communication. Tehran.
 
Blanco V, Pino J (1997). Cinema Demand in Spain: A cointegration analysis. J. Cult. Econ. 21(1):57-75.
Crossref
 
Cameron S (1988). The impact of Video Recorders on Cinema Attendance. J. Cult. Econ. 12(1):73-80.
Crossref
 
Cameron S (2005). The Demand for Cinema in the United Kingdom. J. Cult. Econ. 14(1):35-47.
Crossref
 
Collins A, Hand C (2005). Analyzing Movie going Demand: an Individual-level Cross-Sectional approach. Managerial and Decision Economics 26(5):319-330.
Crossref
 
Dewenter R (2003). The Economics of Media Markets. University of the Federal Armed Forces Hamburg. Discussion Paper.
 
Dewenter R, Westermann M (2005). Cinema Demand in Germany. J. Cult. Econ. 29(3):213–231.
Crossref
 
Doherty JS (2004). Cold War, Cool Medium: Television, McCarthyism and American Culture. J. Am. Cult. 27(2):230–233.
Crossref
 
Duwas DE (2007). A survey in social research. Translated by: Nayebi H, First edition. Nei publication, Tehran. (in Persian)
 
Everett WE (2005). European Identity inc. Intellect Ltd.
 
Fardrou M, Sedaghatzadeghan SH (2000). Economical social base and consumption of cultural goods. J. Counc. Public Cult. No. 22. (in Persian).
 
Gambaro M, Orietta DFD (2009). Demand for Movies in Europe and the Effects of Multiplex Diffusion: A Panel Approach. Department of Economics and Business -University of Milan via Conservatoire 7. 20122 Milano.
 
Garboua LL, Montmarquette C (2002). The Demand for the Art. Cirano and Department of Economics, University of Montreal.
 
Grainejad GH, Hadinejad M, Bakhtiyari A (2010). Study and Analyzing the Factors Influencing on Iranian Cinema demands. Research Institution of Culture and Art. J. Nameh-e-Pajouhesh Farhangi. No.9. (in Persian).
 
Hand C (2002). The Distribution and Predictability of Cinema Admissions. J. Cult. Econ. 26(1):53–64.
Crossref
 
Hoseinnejad M (2005). Abilities, limitations and solutions for foreign investment on Iranian cinema industry. Research Institution of Culture, Art and Communications. Tehran. (in Persian)
 
Iranian Ministry of Culture and Islamic Guidance (2011). The number of audiences and ticket prices in Iranian's cinemas. Cinematic Deputy, institute of studies and Planning of Cinematic and Studies activities visual and audible (in Persian).
 
IRIB Islamic Republic of Iran Broadcast (2011). the main bureau of evaluation, data management and basic statistics. (in Persian).
 
Kazemipour SH (1996). Social mobility and migration in Tehran city. Unpublished Ph.D. Thesis. Faculty of Social Sciences, University of Tehran. (in Persian).
 
Kerrigan F (2010). Film Marketing. First edition, Published by Elsevier Ltd, Printed and Bound in Great Britain.
 
Kim S (2009). Cinema Demand in Korea. J. Media Econ. 22(1):36–56.
Crossref
 
Kim S, Park D (2010). Addictive Behavior inc demand: Evidence from Korea. Economic Growth centre Working Paper Series. Nanyang Technological University. Singapore.
 
Lee H (2001). Contemporary Korean cinema: Identity, culture, and politics. Manchester Ubiversity Press,UK.
 
Lin M (1976). Foundations of Social research. Mc graw Hill Book Company. USA.
 
Lorenzen M (2009). The Economics of Movies. University of Sydney.
 
Macmillan P, Smith I (2001). Explaining Post-war Cinema Attendance in Great Britain. J. Cult. Econ. 25(2):91–108.
Crossref
 
Martin WM (2001). Classical Myth and Culture in the Cinema. Oxford. Oxford University Press.
 
McCrisken TB (2005). American History and Contemporary Hollywood Film. Edinburgh. Edinburgh University Press.
Crossref
 
McKenzie J (2009). The Economics of Movies: A Literature Survey. J. Econ. Surveys. 25(3):157–184.
 
Mousai M, Shiani M (2007). Principles and basics of economics. Nour-e-elm publication. first edition. Hamedan. (in Persian)
 
Mousai M (2011). Demand for going to cinema in Iran. Am. J. Sci. Res. EuroJournals Publishing, Inc. pp.34-46.
 
Nielsen J (2010). The Critical Masses: the Influence of Reviews on Cinema Audiences. Center for Virksomhe Dsudvikling og Ledelse.
 
Pokorny M, Sedgwick J (2001). Stardom and the Profitability of Film Making: Warner Bros. in the 1930s. J. Cult. Econ. 25(3):157-184.
Crossref
 
Ravid SA, Wald JK, Basuroy S (2006). Distributors and Film Critics: Does it Take two to Tango? J. Cult. Econ. 30(3):201-218.
Crossref
 
Redondo I, Holbrook MB (2010). Modeling the Appeal of Movie Features to Demographic Segments of Theatrical Demand. J. Cult. Econ. pp.1–17.
 
Sisto A, Zanola R (2004). Rational addiction to cinema? A dynamic panel analysis of European countries. POLIS department's Working Papers. Department of Public Policy and Public, Choice, Via Cavour, 84, 15100 Alessandria, Italy.
 
Sluis S (2010). Into the Depths: 2D Conversion Companies Meet the Demand for 3D Movies. International Film J. pp.1-2.
 
Statistical Yearbook (2011). Center of Iran's Statistic. (in Persian)
 
Supreme Secretariat Council for Young (1996). Study about leisure activities among adolescents and young adults.Iranian Supreme Council for Young.(in Persian).
 
Vegas SO (2009). Domestic Demand for Spanish Cinema: The Popularity of Star Film Directors as Determinant for Theatre Attendance. Faculty of History and Arts. Erasmus University Rotterdam.
 
Walls WD (2005). Modeling Movie Success when Nobody Knows Anything. Conditional Stable-Distribution Analysis of Film Returns. J. Cult. Econ. 29(3):177–190.
Crossref
 
Yamamura EJ (2008). Socio-Economic Effects on Increased Cinema Attendance; The Case of Japan. J. Socio-Econ. 37(6): 2546–2555.
Crossref
 
Yamamura EJ (2009). Rethinking Rational Addictive Behaviour and Demand for Cinema; A Study Using Japanese Panel Data. Appl. Econ. Letters 16(7):693-697.
Crossref
 
Zakaras L, Lowell J (2008). Cultivating Demand for the Arts: Arts Learning. Arts Engagement and State Arts Policy. Rand Corp