Journal of
Fine and Studio Art

  • Abbreviation: J. Studio Fine Art
  • Language: English
  • ISSN: 2141-6524
  • DOI: 10.5897/JFSA
  • Start Year: 2010
  • Published Articles: 13

Full Length Research Paper

Quality of pottery products produced in Kenyan women prisons

Otieno Jane
  • Otieno Jane
  • Art and Design Department, School of Arts and Social Sciences, Maseno University, Kenya.
  • Google Scholar
Abong’o Susan
  • Abong’o Susan
  • Art and Design Department, School of Arts and Social Sciences, Maseno University, Kenya.
  • Google Scholar
Wagah Mical Ongachi
  • Wagah Mical Ongachi
  • Art and Design Department, School of Arts and Social Sciences, Maseno University, Kenya.
  • Google Scholar


  •  Received: 20 March 2020
  •  Accepted: 17 June 2020
  •  Published: 31 July 2020

References

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Arifin A (2015). Traditional Malay pottery of Kuala Kangsar: Its History and Development. School of Humanities, University Sains Malaysia, Malaysia.

 
 

Arthur JW (2013). Transforming clay; Gamo caste, gender, and pottery of Southwestern Ethiopia. Department of Society, Culture, and Languages, College of Arts and Sciences, University of South Florida Saint Petersburg.

 
 

Digolo OO (1999). Art and Design for Forms 1 and 2. Nairobi: East African Publishers Ltd.

 
 

Asante E, Adjei K, Opoku N (2013). The theoretical and Socio-Cultural Dimensions of Kpando Women's Pottery. Department of General Art Studies, Kwame Nkrumah University of Science and Technology (KNUSST), Kumasi, Ghana.

 
 

Eames P (2009). Songbirds - The Arts in Prison Training Manual. A PSE Consultancy Publication.

 
 

Edusah SE (2011). Management and Growth Paradox of Rural Small-Scale Industrial Sector in Ghana. University Press.
Crossref

 
 

Gukas HJ (2011). Decline of Traditional Pottery Practices among the Afizere of Naton-Doss in Plateau States of Nigeria. Department of Industrial Design, University of Maiduguri, Nigeria.

 
 

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Kaneko M (2013). Transmigration among the Aari women potters in Southern Ethiopia and the accumulation of experience in pottery-making techniques. (Unpublished Master's Thesis) Kyoto University, Japan.

 
 

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Krecie RV, Morgan DW (1970). Determining Sample Size for Research Activities: Educational and Psychological measurements. www.kempro.org/.sample.25 Aug. 2012.

 
 

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Mbogori F (2016). Traditional technologies: A conservation challenge". Conservation of Natural and Cultural Heritage in Kenya: A cross-Disciplinary Approach. London: UCL Press.
Crossref

 
 

Otieno J (2009). Exploration of morphology of different types of fish found in Lake Victoria for artistic expression in pottery production. (Unpublished Master's Thesis), Kenyatta University, Kenya.

 
 

Peterson B (2011). Artistry and Aesthetics: Pottery beyond mere utility. .

 
 

Pihulic M (2005). An Analysis of the Production and Manufacture of the Modified Clay Pot at the Oriang Women's Pottery group, the Amilo-Rangwe Pottery Group and the Kinda E Teko Pottery Group in Nyanza Province, Kenya. Massachusetts Institute of Technology.

 
 

Simonton DK (2012). Taking the US Patent Office creativity criteria seriously: A quantitative three-criterion definition and its implications. Creativity Research Journal 24:97-106.
Crossref