Journal of
Music and Dance

  • Abbreviation: J. Music Dance
  • Language: English
  • ISSN: 2360-8579
  • DOI: 10.5897/JMD
  • Start Year: 2011
  • Published Articles: 20

Full Length Research Paper

Cultural suppression of female gender in Nigeria: Implications of Igbo females’ songs

Ebele V. Ojukwu
  • Ebele V. Ojukwu
  • Department of Music, Faculty of Arts, Nnamdi Azikiwe University, Awka, Nigeria.
  • Google Scholar
Eunice U. Ibekwe
  • Eunice U. Ibekwe
  • Department of Music, Faculty of Arts, Nnamdi Azikiwe University, Awka, Nigeria.
  • Google Scholar


  •  Received: 19 December 2019
  •  Accepted: 02 March 2020
  •  Published: 30 June 2020

References

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Asigbo AC, Ibekwe EU (2015). An appraisal of harmful traditional practices in the contemporary Igbo society: In: Dandaura ES (ed.), Harmful Traditional Practices in Nigeria. France: International Theatre Institute (ITI). pp. 225-236.

 
 

Asika EI (2015). Inequality and struggle for emancipation hinder national growth. In: N. Ezenwa-Ohaeto (Ed.). Power, Gender Relations, Character and Nation Building Awka: Fab Anieh. pp. 119-134.

 
 

Ebo EE (2015). Cultural challenges and women libration in Nigeria:An analysis of Zulu Sofola's wedlock of the gods and Julie Okoh'sEdewede. In Utoh-Ezeajugh TC, Ayakoroma BF (eds,). Gender Discourse in African theatre, Literature and Visual Arts. Ibadan: Kraft Books. pp. 234-248.

 
 

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Wallen CS (2014). Music is what feelings sound like. Available at: 

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